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Chamber & Solo

Everglade Metallic (2019) ------- for alto saxophone solo 6'

Commissioned by Chia-Wei Chao

Performed at Bowling Green State University, United States

Humanity: Side I (2019) ------- for string quartet 5'50"

Commissioned by Hong Kong Composers' Guild

Performed at "New Generation 2019" on RTHK Radio 4 and Tai Kwun: Afternoon Series - Projekt Berlin by Cong Quartet  

Late Spring 晚春 (2019) ------- arranged for soprano saxophone solo 5'50"

Arranged for Chia-Wei Chao 

Performed at Bowling Green State University, United States

Late Spring 晚春 (2019) ------- for oboe and piano 5'40"

Commissioned by Ryan Ion-Seng Fong

Performed at Bowling Green State University and University of Michigan at Ann Arbor, United States

Plough (2019) ------- for alto saxophone and bass trombone 4'30"

Commissioned by Jonathan Kierspe

Performed at University of South Carolina, Winthrop University, Limestone College, Governors School for the Arts, Franklin College, Ohio State University, Oakland University, among others

Squirrel X Food (2018) ------- for oboe and violoncello 4'50"

Performed at the 35th Asian Composers League Conference & Festival, Taiwan

Meet, Far, Saw (2018) ------- for flute and guitar 4'20"

Performed at highSCORE Festival, Italy

Sprout (2018/2019) ------- for woodwind quintet 5'20"

Performed at "New Generation 2018" on RTHK Radio 4 by Hong Kong Wind Kamerata, Hong Kong

First prize winner

Performed at Music Salon I by Hong Kong Wind Kamerata, Hong Kong

Our City Our Future (2018) ------- for cello and video 3'20"

Written for "SOUND--IMAGination 2018: Hong Kong Culture"

Performed at Hong Kong Arts Centre, Hong Kong

Pace (2017) ------- for Eb clarinet, Bb clarinet, and bass clarinet 9'

Commissioned by Acoustic Frontier

Performed at SPECTRUM, New York, United States

The Season of Typhoon (2017) ------- for piano trio 8'15"

Commissioned by 2017 Zodiac Music Academy & Festival

Performed at Valdeblore, France

 

Underneath (2017) ------- for piano quintet 6'20"

Performed at Hong Kong Baptist University, Hong Kong

If if rocks (2016/2017) ------- for piano four-hands 7'

Performed at Valdeblore, France; Hong Kong Baptist University, Hong Kong

An Afternoon at Andersonville (2016) ------- for sheng, zheng, bass clarinet, double bass, and percussion 5'

Performed at Hong Kong Academy of Performing Arts, Hong Kong

Large Ensemble

Faucet (2019) ------- for orchestra (2222/4231/T+1/Hp/Strings) 7'

Commissioned by São Paulo Contemporary Composers Festival;

Performed by Brazilian National Orchestra, Brasilia

Wedge (2018/2019) ------- for orchestra (3333/4331/T+2/Hp/Strings) 4'

Participated in the Robert H. N. Ho Family Foundation Composers Scheme;

Performed by Hong Kong Philharmonic Orchestra, Hong Kong;

Selected to perform at ACL 2022

Performed by Christchurch Symphony Orchestra, New Zealand

Looking for (2018) ------- for orchestra (3333/4331/T+3/Hp/Pno/Strings) 7'30"

Featured at Toledo Symphony Orchestra reading session, Bowling Green State University, United States

Pangu 盤古 (2017) ------- for baritone, wind instruments and percussions 7'

Performed at Hong Kong Baptist University, Hong Kong

The Gate (2015/2016) ------- for mixed ensemble 7'

Performed at Hong Kong Baptist University, Hong Kong

Vocal

The Peaceful Stars (2018) ------- for tenor solo and piano 5'30"

Performed at Match Making Concert, RTHK Studio 1, Hong Kong;

Performed at KC Vitas: Summer Series Kansas City, United States;

Performed at Bowling Green State University, United States

A Three-Course Song (2018) ------- for unaccompanied solo voice 3'

Performed at Bowling Green State University, United States

Double Sided (2017) ------- for 3 females voices, cello, and piano 11'20"

Written for and performed at 2018 BGSU MicroOpera Project Concert, United States

Electro-acoustic

Uh, Flight got Delayed (2018) ------- for fixed media 7'06"

Presented at 2018 International Workshop on Computer Music and Audio Technology (WOCMAT), Taiwan

Behind the Seaweed (2018) ------- for fixed media 3'08"

In a City (2017) ------- for fixed media 7'10"

Presented at International Computer Music Conference (ICMC) 2018, South Korea; Guangzhou, China

Voyager #2 (2017) ------- for fixed media 3'

Presented at ArtsX, Bowling Green State University, United States

Who's the Magician (2017) ------- for trumpet and interactive electronics 6'

Performed at Hong Kong Baptist University, Hong Kong

Turbulence in my Stomach (2016) ------- for 5.1 surround sound 3'15"

Presented at 2016 International Workshop on Computer Music and Audio Technology (WOCMAT), Taiwan

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